#How a boy (really) gets girl Love, and the advantages of being ordinary

There are Indian stories where a man wins the affection of a woman because he is extraordinary. And there are stories where a man is so fortunate when he is unremarkable, or, worse, a wreck. In most mainstream Indian cinema, the boy is stricken by the beauty of the girl and some other qualities, including talent and intellect, but it is usually not clear what the girl sees in the hero.

We dismiss the emptiness of the Indian hero as part of the artistic mediocrity of commercial cinema. But what if it is not a flaw at all? What if the unremarkable man as the most common recipient of love is closer to the truth? What if the typical modern Indian hero is, in fact, sheer anthropology?

The love of a girl, with its exaggerated compliments, long, fond stares, and promise of decadence, is generally presumed to be a reward for distinguishing male qualities. It is an idea that women themselves have promoted through the many ways in which they talk of romance and the loud expectations they have from men, which physically and intellectually disqualify most men.


#A Philosophical take


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